The Boned Arm of Eighteenth-Century Ballet
The "Boned" Arm of Eighteenth-Century Ballet In contemporary classical ballet, the arms not uncommonly move in a such a way that they can appear to be rather “boneless,” as it were, i.e., with marked bends at the wrists and elbows, in order to create a pronounced sinuous effect. The “trailing" hand – the flexion…
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Third position! Fifth position! Turnout of upper and lower body! and much more. Historian Moira Goff answers questions 40-58 about baroque dance and ballet. — Alastair Macaulay
Ballet - Wikipedia
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